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SONIC MMABOLELA – a report for fellow sound designers/recordists

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When I first read about Sonic Mmabolela, I knew immediately that this was something I wanted to partake in. A two week sound recording workshop/residency held at a private game reserve in South Africa, rented out in its entirety for the sole purpose of recording and thus promising minimal outside interference – it’s a field recordist’s dream come true. And further reading of its description, plus the fact that it is organised by renowned sound artists Francisco Lopez and Barbara Ellison, promised that this was going to be thematically quite different from other recording workshops out there, which tend to focus a lot on the technical side of things.

Pictures from a previous year of Sonic Mmabolela

I had many reasons to join up, but chief among them were a longing to go back to the African continent for more sound recording, and a growing interest in sound art. I was curious to learn from people who work as independent sonic artists and perhaps find a new outlet for my love of recording sounds of the natural environment and its wildlife.

All that being said, the biggest draw was simply to go out and spend two weeks of non-stop recording in the bush. If nothing else, perhaps I could gather enough material to release another African wildlife themed library. And so it happened that I found myself at the end of November of 2016 as one of the participants in that year’s Sonic Mmabolela.

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Sound recording & camping in the African wilderness – Part 2: Namibia & South Africa

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Read part I about recording & camping in Botswana here

Namibia is a land of extremes: huge empty deserts with glowing red sand dunes and rock formations shaped as if placed by giants, a wild coastline littered with shipwrecks, whale carcasses and immense seal colonies, lakes and salt pans attracting all the wildlife that you’d expect from an African country, and lush green tree and shrub savanna in the Caprivi strip bordering Botswana, Angola, Zambia and Zimbabwe.

Its natural extremities not withstanding, this is a country easily traversed by car, boasting endless straight-lined gravel roads through its vast expanses of nothingness and national parks. Unlike Botswana, a 4×4 vehicle is for many areas not even a necessity, though having one opens up parts of the country that would otherwise be inaccessible. As for our trip specifically, we only needed the 4-wheel drive engaged on a couple of trails in Namib-Naukluft national park.

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Sound recording in Africa – the plan & preparations

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Tomorrow my plane leaves for Zimbabwe. I’ve planned a 4 months trip through southern Africa, with the aim of recording wildlife and nature sounds. Besides Zimbabwe, I’ll visit Botswana, Namibia and South Africa, and I literally want to record anything I can – I have no specific goal to record a type of species or sound, and neither do I have a particular end product in mind. It’s simply about the joy of recording, and hopefully finding places that aren’t as infested by manmade noise as Western Europe is. As you can imagine though, there are a number of potential problems and pitfalls that I’ve tried to address before setting off, in order to get an as good result as I possibly can.

 

Problem 1 – The best nature and wildlife sound recording happens when you understand your environment

I have never been to Africa, and I know nothing about the habitats and wildlife of the countries and natural parks I am visiting. I have seen nature documentaries, but that is about the extent of my ‘knowledge’. I could go and plant my mics and see what happens, but I want to take it beyond that and try to have a better understanding of what I am recording, and how to record it.

For that reason, my time in Zimbabwe will be spent taking a 55 days professional safari guide course. This is a very intensive, 7 days a week training program, after which you get the opportunity to try and pass an exam. If you pass, you are awarded a Level 1 Field Guide certificate, accredited by the Field Guide Association of Southern Africa (FGASA). In other words, you can then work as a junior safari guide. Have a look here for the full overview of what is being taught in this 2 months course.

I have no intention to change my career to become a safari guide, but I am very interested in the knowledge taught at this course. It includes subjects such as animal behaviour, ecology, geology, plants and grasses, weather and climate, astronomy – it’s incredibly diverse as it’s intended to steamroll you into having general knowledge about the environment and the wildlife of southern African countries. We’ll spend multiple hours in the bush every day, both on foot and in a vehicle, setting off twice a day, just before dawn and a few hours before dusk, with theory classes taught back at the camp as well.

While I will not be Mr Super Survival Man & The Ultimate Field Guide Expert after a mere two months of intense training, it should hugely increase my knowledge about the places that I am visiting after the course. With a bit of luck, I can also get some sound recording in while there.

 

This photo was taken at the Nakavango centre in Zimbabwe, where the field guide course takes place
Image credit Nakavango Conservation Centre

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